Page:Whymper - The Ascent of the Matterhorn.djvu/14

vi after year, as I had opportunity, more and more determined to find a way up it, or to prove it to be really inaccessible.

The chief part of this volume is occupied by the history of these attacks on the Matterhorn, and the other excursions that are described have all some connection, more or less remote, with that mountain or with Mont Pelvoux. All are new excursions (that is, excursions made for the first time), unless the contrary is pointed out. Some have been passed over very briefly, and entire ascents or descents have been disposed of in a single line. Generally speaking, the salient points alone have been dwelt upon, and the rest has been left to the imagination. This treatment has spared the reader from much useless repetition.

In endeavouring to make the book of some use to those who may wish to go mountain-scrambling, whether in the Alps or elsewhere, prominence has been given to our mistakes and failures; and to some it may seem that our practice must have been bad if the principles which are laid down are sound, or that the principles must be unsound if the practice was good. The principles which are brought under the notice of the reader are, however, deduced from long experience, which experience had not been gained at the time that the blunders were perpetrated; and, if it had been acquired at an earlier date, there would have been lewder failures to record.

My scrambles amongst the Alps were a sort of apprenticeship in the art of mountaineering, and they were, for the most part, carried out in the company of men who were masters of their craft. In any art the learner, who wishes to do good work, does well to associate himself with master workmen, and I attribute much of the success which is recorded in this volume to my having been frequently under the guidance of the best mountaineers of the time. The hints and observations which are dispersed throughout the volume are not the result of personal experience only, they have been frequently derived from professional mountaineers, who have studied the art from their youth upwards.