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Rh outside the strangeness of it grows with familiarity. It is amazing that the vast majority of men should tolerate a system which compels them to submit to all the horrors of the battlefield at any moment when their Government commands them to do so. A French artist, indifferent to politics, attentive only to his painting, suddenly finds himself called upon to shoot Germans, who, his friends assure him, are a disgrace to the human race. A German musician, equally unknowing, is called upon to shoot the perfidious Frenchman. Why cannot the two men declare a mutual neutrality? Why not leave war to those who like it and bring it on? Yet if the two men declared a mutual neutrality they would be shot by their compatriots. To avoid this fate they try to shoot each other. If the world loses the artist, not the musician, Germany rejoices; if the world loses the musician, not the artist, France rejoices. No one remembers the loss to civilization, which is equal whichever is killed.

This is the politics of Bedlam. If the artist and the musician had been allowed to stand aside from the war, nothing but unmitigated good to mankind would have resulted. The power of the State, which makes this