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 tremendous effect of the hypothesis of evolution had not yet made itself felt; Mill speaks (p. 172) of the "recent speculations" on "the principle of the 'survival of the of the fittest, and recognising that if this principle were sound "there would be a constant though slow general improvement of the type as it branched out into many different varieties, adapting it to different media and modes of existence, until it might possibly, in countless ages, attain to the most advanced examples which now exist" (p. 173), he admits that if this be true "it must be acknowledged that it would greatly attenuate the evidence for" creation. And I am prepared to admit frankly that until the "how" of evolution explained the adaptations in Nature, the weight of the argument from design was very great, and to most minds would have been absolutely decisive. It would not of course prove the existence of an omnipotent and universal creator, but it certainly did powerfully suggest the presence of some contriving intelligence at work on natural phænomena. But now, when we can trace the gradual evolution of a complex and highly developed organ through the various stages which separate its origin from its most complete condition; when we can study the retrogression of organs becoming rudimentary by disuse, and the improvement of organs becoming developed by use; when we notice as imperfections in the higher type things which were essential in the lower: what wonder is it that the instructed can no longer admit the force of the argument from design?

The human eye has often been pointed to as a triumphant proof of design, and it naturally seemed perfect in the past to those who could imagine no higher kind of optical instrument; but now, as Tyndall says, "A long list of indictments might indeed be brought against the eye—its opacity, its want of symmetry, its lack of achromatism, its absolute blindness, in part. All these taken together caused Helmholtz to say that, if any optician sent him an instrument so full of defects, he would be justified in sending it back with the severest censure" ("On Light", p. 8, ed. 1875). It is only since men have made optical instruments without the faults of the eye, that we have become aware how much better we might see than we do. Nor is this all; the imperfections which would show incompetence on the part of a designer become