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 drinks repose.' If you will wait here a few moments I will go and get some food. I know where to find some. Pray amuse yourself by looking at my books."

He left the room noiselessly, and Basil turned towards the walls. From ceiling to floor the immense room was lined with shelves of enamelled white wood, here and there carved with tiny florid bunches of fruit and flowers—Jacobean work it seemed.

A few pictures here and there in spaces between the shelves—the hectic flummery of a Whistler nocturne; a woman avec cerises, by Manet; a green silk fan, painted with fêtes gallantes, by Conder—alone broke the many-coloured monotony of the books.

Gortre had, from his earliest Oxford days, been a lover of books and a collector in a moderate, discriminating way. As a rule he was roused to a mild enthusiasm by a fine library. But as his practised eye ran over the shelves, noting the beauty and variety of the contents, he was unmoved by any special interest. His brain, still, so it seemed, under some outside and compelling instinct or influence, was singularly detached from ordinary interests and rejected the books' appeal.

Close to where he stood the shelves were covered with theological works. Müller's Lectures on the Vedanta Philosophy, Romane's Reply to Dr. Lightfoot, De la Saussaye's Manual, stood together. His hand had been wandering unconsciously over the books when it was suddenly arrested, and stopped on a familiar black binding with plain gold letters. It was an ordinary reference edition of the Holy Bible, the "pearl" edition from the Oxford University Press.

There was something familiar and homely in the little dark volume, which showed signs of constant use. A few feet away was a long shelf of Bibles of all kinds, rare editions, expensive copies bound up with famous