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dinner was simple enough, but well-dressed and well-served. One footman, in plain livery, assisted Mr. Mills. Darrell ate sparingly, and drank only water, which was placed by his side, iced, with a single glass of wine at the close of the repast, which he drank on bending his head to Lionel with a certain knightly grace, and the prefatory words of "Welcome here to a Haughton." Mr. Fairthorn was less abstemious—tasted of every dish, after examining it long through a pair of tortoise-shell spectacles, and drank leisurely through a bottle of port, holding up every glass to the light. Darrell talked with his usual cold but not uncourteous indifference. A remark of Lionel's on the portraits in the room turned the conversation chiefly upon pictures, and the host showed himself thoroughly accomplished in the attributes of the various schools and masters. Lionel, who was very fond of the art, and, indeed, painted well for a youthful amateur, listened with great delight.

"Surely, Sir," said he, struck much with a very subtle observation upon the causes why the Italian masters admit of copyists with greater facility than the Flemish—"surely, Sir, you must yourself have practised the art of painting?"

"Not I; but I instructed myself as a judge of pictures, because at one time I was a collector."

Fairthorn, speaking for the first time: "The rarest collection—such Albert Durers! such Holbeins! and that head by Leonardo da Vinci!" He stopped—looked extremely frightened—helped himself to the port—turning his back upon his host, to hold, as usual, the glass to the light.

"Are they here, Sir," asked Lionel.

Darrell's face darkened, and he made no answer; but his head sank on his breast, and he seemed suddenly absorbed in gloomy thought. Lionel felt that he had touched a wrong chord, and glanced timidly toward Fairthorn, but that gentleman