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Rh linquishing the object to which his own life has been vainly devoted, and immolating the pride attached to it, he has yet, to use his own words, paid his "dues to the dead." No descendant from a Jasper Losely and a Gabrielle Desmarets will sit as mistress of the house in which Loyalty and Honor had garnered, with the wrecks of fortune, the memories of knightly fame—nor perpetuate the name of Darrell through children whose blood has a source in the sink of infamy and fraud. Nor was this consolation that of a culpable pride; it was bought by the abdication of a pride that had opposed its prejudices to living worth—to living happiness. Sophy would not be punished for sins not her own—Lionel not barred from a prize that earth never might replace. What mattered to them a moldering, old, desolate Manor House—a few hundreds of pitiful acres? Their children would not be Jess blooming if their holiday summer noons were not shaded by those darksome trees—nor less lively of wit, if their school themes were signed in the name, not of Darrell, but Haughton.

A slight nervous knock at the door. Darrell has summoned Fairthorn; Fairthorn enters. Darrell takes up a paper; it contains minute instructions as to the demolition of the two buildings. The materials of the new pile may be disposed of, sold, carted away—anyhow, anywhere. Those of the old house are sacred—not a brick to be carried from precincts around it. No; from foundation to roof, all to be piously removed—to receive formal interment deep in the still bosom of the little lake, and the lake to be filled up and turfed over. The pictures and antiquities selected for the Darrell Museum are, of course, to be carefully transported to London—warehoused safely till the gift from owner to nation be legally ratified. The pictures and articles of less value will be sent to an auction. But when it came to the old family portraits in the Manor House, the old homely furniture, familiarized to sight and use and love from infancy, Darrell was at a loss; his invention failed. That question was reserved for farther consideration

"And why," says Fairthorn, bluntly and coarsely, urging at least reprieve, "why, if it must be, not wait till you are no more? Why must the old house be buried before you are?"

"Because," answered Darrell, "such an order, left by will, would seem a reproach to my heirs; it would wound Lionel to the quick. Done in my life-time, and just after I have given my blessing on his marriage, I can suggest a thousand reasons for an old man's whim; and my manner alone will dispel all idea of a covert affront to his charming innocent bride."