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Rh ries he considers her very interest an obtrusive impertinence. He has missed, too, his more habitual and less irritating conversation with Darrell. In short, altogether he is put out, and he vents his spleen on the swans, who follow him along the wave as he walks along the margin, intimating either their affection for himself, or their anticipation of the bread-crumbs associated with his image—by the amiable note, half snort and half grunt, towhich change of time or climate has reduced the vocal accomplishments of those classical birds, so pathetically melodious in the age of Moschus and on the banks of Cayster.

"Not a crumb, you unprincipled beggars," growled the musician. "You imagine that mankind are to have no other thought but that of supplying you with luxuries! And if you were asked, in a competitive examination, to define, your benefactor, you would say—'A thing very low in the scale of creation, without wings or even feathers, but which Providence endowed with a peculiar instinct for affording nutritious and palatable additions to the ordinary aliment of Swans!' Ay, you may grunt; I wish I had you—in a pie!"

Slowly, out through the gap between yon gray crag and the thorn-tree, passes the doe, halting to drink just where the faint star of eve shoots its gleam along the wave. The musician forgets the swans and quickens his pace, expecting to meet the doe's wonted companion. He is not disappointed. He comes on Guy Darrell where the twilight shadow falls darkest between the gray crag and the thorn-tree.

"Dear Fellow Hermit," said Darrell, almost gayly, yet with more than usual affection in his greeting and voice, "you find me just when I want you. I am as one whose eyes have been strained by a violent conflict of colors, and your quiet presence is like the relief of a return to green. I have news for you, Fairthorn. You, who know more of my secrets than any other man, shall be the first to learn a decision that must bind you and me more together—but not in these scenes, Dick.

'Ibimus—ibimus!

Supremum

Carpere iter, comites, parati!'"

"What do you mean, Sir?" asked Fairthorn. "My mind alWays misgives me when I hear you quoting Horace. Some reflection about the certainty of death, or other disagreeable subjects, is sure to follow!"

"Death! No, Dick—not now. Marriage-bells and joy, Dick! We shall have a wedding!"