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next day the sitting was renewed; but Waife did not go out, and the conversation was a little more restrained; or rather, Waife had the larger share init. The comedian, when he pleased, could certainly be very entertaining. It was not so much in what he said, as his manner of saying it. He was a strange combination of sudden extremes, at one while on a tone of easy but not undignified familiarity with his visitors, as if their equal in position, their superior in years; then abruptly, humbly, deprecating, almost obsequious, almost servile; and then, again, jerked, as it were, into pride and stiffness, falling back, as if the effort were impossible, into meek dejection. Still, the prevalent character of the man's mood and talk was social, quaint, cheerful. Evidently he was, by original temperament, a droll and joyous humorist, with high animal spirits; and, withal, an infantine simplicity at times, like the clever man who never learns the world, and is always taken in.

A circumstance, trifling in itself, but suggestive of speculation either as to the character or antecedent circumstances of Gentleman Waife, did not escape Vance's observation. Since his Tupture with Mr. Rugge, there was a considerable amelioration in that affection of the trachea which, while his engagement with Rugge lasted, had rendered the comedian's dramatic talents unavailable on the stage. He now expressed himself without the pathetic hoarseness or cavernous wheeze which had previously thrown a wet blanket over his efforts at discourse. But Vance put no very stern construction on the dissimulation which this change seemed to denote. Since Waife was still one-eyed and a cripple, he might very excusable shrink from reappearance on the stage, and affect a third infirmity to save his pride from the exhibition of the two infirmities that were genuine.

That which most puzzled Vance was that which had most puzzled the Cobbler—What could the man once have been?