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Rh times harden his own heart if he would strike home to another's soul. But I am not sure that Mr. Darrell would need so cruel a kindness. I believe that his clear intellect must have divined some portions of his son's nature which enabled him to bear the loss with fortitude. And he did bear it bravely. But now, Mr. Haughton, if you have the rest of the day free, I am about to make you an unceremonious proposition for its disposal. A lady who knew Mr. Darrell when she was very young, has a strong desire to form your acquaintance. She resides on the banks of the Thames, a little above Twickenham. I have promised to call on her this evening. Shall we dine together at Richmond? And afterward we can take a boat to her villa."

Lionel at once accepted, thinking so little of the lady that he did not even ask her name. He was pleased to have a companion with whom he could talk of Darrell. He asked but the delay to write a few lines of affectionate inquiry to his kinsman at Fawley, and, while he wrote, George took out Arthur Branthwaite's poems and resumed their perusal. Lionel having sealed his letter, George extended the book to him. "Here are some remarkable poems by a brother-in-law of that remarkable artist, Frank Vance."

"Frank Vance! True, he had a brother-in-law a poet. I admire Frank so much; and, though he professes to sneer at poetry, he is so associated in my mind with poetical images that I am prepossessed beforehand in favor of all that brings him, despite himself, in connection with poetry."

"Tell me then," said George, pointing out a passage in the volume, "what you think of these lines. My good uncle would call them gibberish. I am not sure that I can construe them; but when I was at your age, I think I could—what say you?"

Lionel glanced. "Exquisite indeed! nothing can be clearer; they express exactly a sentiment in myself that I could never explain."

"Just so," said George, laughing. "Youth has a sentiment that it cannot explain, and the sentiment is expressed in a form of poetry that middle age cannot construe. It is true that poetry of the grand order interests equally all ages; but the world ever throws out a poetry not of the grandest; not meant to be durable—not meant to be universal—but following the shifts and changes of human sentiment, and just like those pretty sun-dials formed by flowers which bloom to tell the hour, open their buds to tell it, and, telling it, fade themselves from time."

Not listening to the critic, Lionel continued to read the poems, exclaiming, "How exquisite! how true!"