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 description. But the same thing was in the mind of a white-bearded old man I met in New York, an Irish exile and a wonderful talker, who stared up at the tower of gilded galleries of the great hotel, and said with that spontaneous movement of style which is hardly heard except from Irish talkers: * And I have been in a village in the mountains where the people could hardly read or write; but all the men were like soldiers, and all the women had pride.'

It sounds like a poem about an Earthly Paradise to say that in this land the old women can be more beautiful than the young. Indeed, I think Walt Whitman, the national poet, has a line somewhere almost precisely to that effect. It sounds like a parody upon Utopia, and the image of the lion lying down with the lamb, to say it is a place where a man might almost fall in love with his mother-in-law. But there is nothing in which the finer side of American gravity and good feeling does more honourably exhibit itself than in a certain atmosphere around the older women. It is not a cant phrase to say that they grow old gracefully; for they do really grow old. In this the national optimism really has in it the national courage. The old women do not dress like young women; they only dress better. There is another side to this feminine dignity in the old, sometimes a little lost in the young, with which I shall deal presently. The point for the moment is that even Whitman's truly poetic vision of the beautiful old women suffers a little from that bewildering multiplicity and recurrence that is indeed the whole theme of Whitman. It is like the green eternity of Leaves of Grass. When I think of the eccentric spinsters and incorrigible grandmothers of my own