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CHAPTER I

at that time a complicated struggle was being carried on with greater heat than ever in the highest circles, between the parties of Rumyántsev, the French, Márya Fëdorovna, the Tsarévich, and others, drowned as usual by the buzzing of the court drones. But the calm, luxurious life of Petersburg, concerned only about phantoms and reflections of real life, went on in its old way and made it hard, except by a great effort, to realize the danger and the difficult position of the Russian people. There were the same receptions and balls, the same French theater, the same court interests and service interests and intrigues as usual. Only in the very highest circles were attempts made to keep in mind the difficulties of the actual position. Stories were whispered of how differently the two Empresses behaved in these difficult circumstances. The Empress Márya, concerned for the welfare of the charitable and educational institutions under her patronage, had given directions that they should all be removed to Kazán, and the things belonging to these institutions had already been packed up. The Empress Elisabeth, however, when asked what instructions she would be pleased to give—with her characteristic Russian patriotism had replied that she could give no directions about state institutions for that was the affair of the sovereign, but as far as she personally was concerned she would be the last to quit Petersburg.

At Anna Pávlovna's on the twenty-sixth of August, the very day of the battle of Borodinó, there was a soiree, the chief feature of which was to be the reading of a letter from His Lordship the Bishop when sending the Emperor an icon of the Venerable Sergius. It was regarded as a model of ecclesiastical, patriotic eloquence. Prince Vasíli himself, famed for his elocution, was to read it. (He used to read at the Empress'.) The art of his reading was supposed to lie in rolling out the words, quite independently of their meaning, in a loud and singsong voice alternating between a despairing wail and a tender murmur, so that the wail fell quite at random on one word and the murmur on another. This reading, as was always the case at Anna Pávlovna's soirees, had a political significance. That evening she expected several important personages who had to be made ashamed of their visits to the French theater and aroused to a patriotic temper. A good many people had already arrived, but Anna Pávlovna, not yet seeing all those whom she wanted in her drawing room, did not let the reading begin but wound up the springs of a general conversation.

The news of the day in Petersburg was the illness of Countess Bezúkhova. She had fallen ill unexpectedly a few days previously, had missed several gatherings of which she was usually the ornament, and was said to be receiving no one, and instead of the celebrated Petersburg doctors who usually attended her had entrusted herself to some Italian doctor who was treating her in some new and unusual way.

They all knew very well that the enchanting countess' illness arose from an inconvenience resulting from marrying two husbands at the same time, and that the Italian's cure consisted in removing such inconvenience; but in Anna Pávlovna's presence no one dared to think of this or even appear to know it.

“They say the poor countess is very ill. The doctor says it is angina pectoris.”

“Angina? Oh, that's a terrible illness!”

“They say that the rivals are reconciled, thanks to the angina” and the word angina was repeated with great satisfaction.

“The old count is pathetic, they say. He cried like a child when the doctor told him the case was dangerous.”

“Oh, it would be a terrible loss, she is an enchanting woman.”

“You are speaking of the poor countess?” said Anna Pávlovna, coming up just then. “I sent to ask for news, and hear that she is a