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 pulled up, the door was shut, somebody was sent for a traveling case, and the countess leaned out and said what she had to say. Then Efím deliberately dolfed his hat and began crossing himself. The postilion and all the other servants did the same. “Off, in God's name!” said Efím, putting on his hat. “Start!” The postilion started the horses, the off pole horse tugged at his collar, the high springs creaked, and the body of the coach swayed. The footman sprang onto the box of the moving coach which jolted as it passed out of the yard onto the uneven roadway; the other vehicles jolted in their turn, and the procession of carriages moved up the street. In the carriages, the calèche, and the phaeton, all crossed themselves as they passed the church opposite the house. Those who were to remain in Moscow walked on either side of the vehicles seeing the travelers off.

Rarely had Natásha experienced so joyful a feeling as now, sitting in the carriage beside the countess and gazing at the slowly receding walls of forsaken, agitated Moscow. Occasionally she leaned out of the carriage window and looked back and then forward at the long train of wounded in front of them. Almost at the head of the line she could see the raised hood of Prince Andrew's calèche. She did not know who was in it, but each time she looked at the procession her eyes sought that calèche. She knew it was right in front.

In Kúdrino, from the Nikítski, Présnya, and Podnovínsk Streets came several other trains of vehicles similar to the Rostóvs', and as they passed along the Sadóvaya Street the carriages and carts formed two rows abreast.

As they were going round the Súkharev water tower Natásha, who was inquisitively and alertly scrutinizing the people driving or walking past, suddenly cried out in joyful surprise:

“Dear me! Mamma, Sónya, look, it's he!”

“Who? Who?”

“Look! Yes, on my word, it's Bezúkhov!” said Natásha, putting her head out of the carriage and staring at a tall, stout man in a coachman's long coat, who from his manner of walking and moving was evidently a gentleman in disguise, and who was passing under the arch of the Súkharev tower accompanied by a small, sallow-faced, beardless old man in a frieze coat.

“Yes, it really is Bezúkhov in a coachman's coat, with a queer-looking old boy. Really,” said Natásha, “look, look!”

“No, it's not he. How can you talk such nonsense?”

“Mamma,” screamed Natásha, “I'll stake my head it's he! I assure you! Stop, stop!” she cried to the coachman.

But the coachman could not stop, for from the Meshchánski Street came more carts and carriages, and the Rostóvs were being shouted at to move on and not block the way.

In fact, however, though now much farther off than before, the Rostóvs all saw Pierre—or someone extraordinarily like him—in a coachman's coat, going down the street with head bent and a serious face beside a small, beardless old man who looked like a footman. That old man noticed a face thrust out of the carriage window gazing at them, and respectfully touching Pierre's elbow said something to him and pointed to the carriage. Pierre, evidently engrossed in thought, could not at first understand him. At length when he had understood and looked in the direction the old man indicated, he recognized Natásha, and following his first impulse stepped instantly and rapidly toward the coach. But having taken a dozen steps he seemed to remember something and stopped.

Natásha's face, leaning out of the window, beamed with quizzical kindliness.

“Peter Kirílovich, come here! We have recognized you! This is wonderful!” she cried, holding out her hand to him. “What are you doing? Why are you like this?”

Pierre took her outstretched hand and kissed it awkwardly as he walked along beside her while the coach still moved on.

“What is the matter, Count?” asked the countess in a surprised and commiserating tone.

“What? What? Why? Don't ask me,” said Pierre, and looked round at Natásha whose radiant, happy expression—of which he was conscious without looking at her—filled him with enchantment.

“Are you remaining in Moscow, then?”

Pierre hesitated.

“In Moscow?” he said in a questioning tone. “Yes, in Moscow. Goodby!”

“Ah, if only I were a man! I'd certainly stay with you. How splendid!"said Natásha. “Mamma, if you'll let me, I'll stay!”

Pierre glanced absently at Natásha and was about to say something, but the countess interrupted him.

“You were at the battle, we heard.”

“Yes, I was,” Pierre answered. “There will be another battle tomorrow he began, but Natásha interrupted him.