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 lection than any one else is, and he is not so interested in a thing when he owns it as he was when he was wondering whether he could afford it.

"However, women like my jade. Their fingers itch. It is pleasant to see them. Have you ever felt the collector's passion yourself" [sic]

"In a tiny way only," said Harkness. "I have always loved prints very dearly, etchings especially. But I have so small and unimportant a collection that I never dream of showing it to anybody. I have not the means to make a real collection, but if I were a millionaire it is in that direction that I think I would go. Etchings are so marvellously human, unaccountably personal."

"Why, Herrick, listen to that! Mr. Harkness cares about etchings! We must show him some of ours. I have a 'Hundred Guilders' and a 'De Jonghe' that are truly superb. Do you know my favourite etcher in the world? I am sure that you will never guess."

"There is a large field to choose from," said Harkness, smiling.

"There is indeed. But Samuel Palmer is the man for me. You will say that he goes oddly enough with my jade, but whenever I travel abroad 'The Bellman' and 'The Ruined Tower' go with me. And then Lepère—what a glorious artist! and Legros's woolly trees and our old friend Callot—yes, we have an enthusiasm in common there."