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was ever recounted more lightly and gracefully than the narrative by which Zadig is conducted through his adventures. These are altogether of the oriental type, such as the "Arabian Nights" has made familiar to us—prodigious occurrences, discoveries, and meetings that take place just at the right time; surprising ups and downs of fortune, penury and prodigality treading on one another's heels; the extreme of luxury prevailing at one moment, the most abject misery in the next. But while the gorgeous fancies of the East trust, and with reason, to their surprising incidents and splendid colouring alone for their effect, Voltaire has made his tale the setting of innumerable gems of satire, wisdom, and wit. The failings of humanity, the defects of society and of governments, the errors of theology, and the hypocrisy of priesthoods, are all in turn the subjects of what may be called raillery rather than sarcasm, which is a term too harsh for the pleasantries of the book. Also, like so many novels that hold a high and permanent place, it contains much of the personal experience of the author. Zadig is Voltaire, with increased