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 character of life, when seriously considered, connects itself with a hyper-æsthetic view of tragedy and comedy which is largely due to the influence of modern France, from which the great heroic comedies of Monsieur Rostand have come. The French genius has an instinct for remedying its own evil work, and France gives always the best cure for "Frenchiness." The idea of comedy which is held in England by the school which pays most attention to the technical niceties of art is a view which renders such an idea as that of heroic comedy quite impossible. The fundamental conception in the minds of the majority of our younger writers is that comedy is, par excellence, a fragile thing. It is conceived to be a conventional world of the most absolutely delicate and gimcrack description. Such stories as Mr. Max Beerbohm's "Happy Hypocrite" are conceptions which would vanish or fall into utter nonsense if viewed by one single degree too seriously. But great comedy, the comedy of Shakespeare or Sterne, not only can be, but must be, taken seriously. There is nothing to which a