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 tribunal of criticism because the sentiments and thoughts to which he dedicates himself are those sentiments and thoughts which occur to anyone. These are the peculiar province of poetry; poetry, like religion, is always a democratic thing, even if it pretends the contrary. The faults of Tennyson, so far as they existed, were not half so much in the common character of his sentiments as in the arrogant perfection of his workmanship. He was not by any means so wrong in his faults as he was in his perfections.

Men are very much too ready to speak of men's work being ordinary, when we consider that, properly considered, every man is extraordinary. The average man is a tribal fable, like the Man-Wolf or the Wise Man of the Stoics. In every man's heart there is a revolution; how much more in every poet's? The supreme business of criticism is to discover that part of a man's work which is his and to ignore that part which belongs to others. Why should any critic of poetry spend time and attention on that part of a man's work which is unpoetical? Why should any