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has written a short study of Tennyson which has considerable cultivation and suggestiveness, which will be sufficient to serve as a notebook for Tennyson's admirers, but scarcely sufficient, perhaps, to serve as a pamphlet against his opponents. If a critic has, as he ought to have, any of the functions anciently attributed to a prophet, it ought not to be difficult for him to prophesy that Tennyson will pass through a period of facile condemnation and neglect before we arrive at the true appreciation of his work. The same thing has happened to the most vigorous of essayists, Macaulay, and the most vigorous of romancers, Dickens, because we live in a time when mere vigour is considered a vulgar thing. The same idle and frigid reaction will almost certainly discredit the stateliness and care of Tennyson, as it has discredited