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 true. Mere derision, mere contempt, never produced or could produce parody. A man who simply despises Paderewski for having long hair is not necessarily fitted to give an admirable imitation of his particular touch on the piano. If a man wishes to parody Paderewski's style of execution, he must emphatically go through one process first: he must admire it, and even reverence it. Bret Harte had a real power of imitating great authors, as in his parodies on Dumas, on Victor Hugo, on Charlotte Brontë. This means, and can only mean, that he had perceived the real beauty, the real ambition of Dumas and Victor Hugo and Charlotte Brontë. To take an example, Bret Harte has in his imitation of Hugo a passage like this: "M. Madeline was, if possible, better than M. Myriel. M. Myriel was an angel. M. Madeline was a good man." I do not know whether Victor Hugo ever used this antithesis; but I am certain that he would have used it and thanked his stars if he had thought of it. This is real parody, inseparable from admiration. It is the same in the parody of Dumas,