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 to gain holiness, as indispensable in a lover as in a monk. A critic has truly pointed out that Savonarola could not have been fundamentally anti-æsthetic, since he had such friends as Michael Angelo, Botticelli, and Luca della Robbia. The fact is that this purification and austerity are even more necessary for the appreciation of life and laughter than for anything else. To let no bird fly past unnoticed, to spell patiently the stones and weeds, to have the mind a storehouse of sunset, requires a discipline in pleasure, and an education in gratitude.

The civilisation which surrounded Savonarola on every side was a civilisation which had already taken the wrong turn, the turn that leads to endless inventions and no discoveries, in which new things grow old with confounding rapidity, but in which no old things ever grow new. The monstrosity of the crimes of the Renaissance was not a mark of imagination; it was a mark, as all monstrosity is, of the loss of imagination. It is only when a man has really ceased to see a horse as it is, that he invents a centaur, only