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 Rh Is there, then, anything new? The jests of all journalism, English, French, and American, anent the mannishness of the modern woman's dress? Surely, in these days of bicycles and outdoor sports, this at least is a fresh satiric development. But a hundred and seventy-five years ago just such a piece of banter was leveled at the head of the then new and mannish woman, who, riding through the country, asks a tenant of Sir Roger de Coverley if the house near at hand be Coverley Hall. The rustic, with his eyes fixed on the cocked hat, periwig, and laced riding-coat of his questioner, answers confidently, "Yes, sir." "And is Sir Roger a married man?" queries the well-pleased dame. But by this time the bumpkin's gaze has traveled slowly downwards, and he sees with dismay that this strange apparition finishes, mermaid-fashion, in a riding-skirt. Horrified at his mistake, he falters out, "No, madam," and takes refuge from embarrassment in flight. Turn the horse into a wheel, the long skirt into a short one, or into no skirt at all, and we have here all the material needed for the ever-recurring joke presented to us so monotonously to-day.