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We might have treated this subject in the genteel, or in the romantic, or in the facetious manner. Suppose we had laid the scene in Grosvenor-square, with the very same adventures—would not some people have listened? Suppose we had shown how Lord Joseph Sedley fell in love, and the Marquis of Osborne became attached to Lady Amelia, with the full consent of the Duke, her noble father: or instead of the supremely genteel, suppose we had resorted to the entirely low, and described what was going on in Mr. Sedley's kitchen;—how black Sambo was in love with the cook, (as indeed he was), and how he fought a battle with the coachman in her behalf; how the knife-boy was caught stealing a cold shoulder of mutton, and Miss Sedley's new femme de chambre refused to go to bed without a wax candle; such incidents might be made to provoke much delightful laughter, and be supposed to represent scenes of "life." Or if, on the contrary, we had taken a fancy for the terrible, and made the lover of the new femme de chambre a professional burglar, who bursts into the house with his band, slaughters black Sambo at the feet of his master, and carries off Amelia in her night-dress, not to be let loose again till the third volume, we should easily have constructed a tale of thrilling interest, through the fiery chapters of which the reader should hurry, panting. Fancy this chapter having been headed

The night was dark and wild—the clouds black—black—ink-black. The wild wind tore the chimney-pots from the roofs of the old houses and sent the tiles whirling and crashing through the desolate streets. No soul braved that tempest—the watchmen shrank into their boxes, whither the searching rain followed them—where the crashing thunderbolt fell and destroyed them—one had so been slain opposite the Foundling. A scorched gaberdine, a shivered lantern, a staff rent in twain by the flash, were all that