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 unknowingly bring on himself and all his kingdom the doom imposed on incest. This presence and imminence of Ate inevitable as invisible throughout the tragic course of action can alone confer on such a story the proper significance and the necessary dignity; without it the action would want meaning and the passion would want nobility; with it, we may hear in the high funereal homily which concludes as with dirge-music the great old book of Sir Thomas Mallory some echo not utterly unworthy of that supreme lament of wondering and wailing spirits—

The fatal consequence or corollary of this original flaw in his scheme is that the modem poet has been obliged to degrade all the other figures of the legend in order to bring them into due harmony with the degraded figures of Arthur and Guenevere. The courteous and loyal Gawain of the old romancers, already deformed and maligned in the version of Mallory himself, is here a vulgar traitor; the benignant Lady of the Lake, foster-mother of Launcelot, redeemer and comforter of Pelleas, becomes the very vilest figure in all that cycle of more or less symbolic agents and patients which Mr. Tennyson has set revolving round the figure of his central wittol. I certainly do not share the objection of the virtuous journalist to the presentation in art of