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 The criticism passed upon Americans to-day is that they laugh often and without discrimination. This is what the English say of us, and this is what some Americans have said of the English. Henry James complained bitterly that London play-goers laughed unseasonably at serious plays. I wonder if they received Ervine's "John Ferguson" in this fashion, as did American play-goers. That a tragedy harsh and unrelenting, that human pain, unbearable because unmerited, should furnish food for mirth may be comprehensible to the psychologist who claims to have a clue to every emotion; but to the ordinary mortal it is simply dumbfounding. People laughed at Molnar's "Liliom" out of sheer nervousness, because they could not understand it. And "Liliom" had its comedy side. But nobody could have helped understanding "John Ferguson," and there was no relief from its horror, its pitifulness, its sombre