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 deploring the irregularity of masculine affections, the soulless selfishness of wealth; and asserting with colossal impudence that the impelling purpose of the entertainment is to bring home to the hearts of men an understanding of the misery they cause. As it is the rule of moving-picture plays to change their scenes with disconcerting speed, but to leave all explanatory texts on the screen long enough to be learned by heart, these moral precepts dominate the show. The franker its revelations, the more precepts are needed to offset them. Rows of decent and respectable men, who accompany their decent and respectable wives, are flattered by being accused of sins which they have never aspired to commit.

"I must acknowledge that some writers upon ethical questions have been men of fair moral character," said Sir Leslie Stephen in a moment of expansion which was no less wise