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 and inevitably paid by some one else as were Godwin's; but when Trevelyan alludes softly to his "unambitious standard of solvency," this sordid detail becomes unexpectedly pleasurable. So easily are transgressions pardoned, if they provoke the shadow of a smile.

Lord Rosebery's "Napoleon: the Last Phase" is a work nobly conceived and admirably executed; but its impelling motive is an austere resolve to make what amends a single Englishman can make for an ungenerous episode in English history. Its sympathy for a fallen foe bears no likeness to the sympathy which impelled Théodore de Banville, broken in health and hope by the siege of Paris, to write a lyric in memory of a young Prussian officer, a mere boy, who was found dead on the field, with a blood-stained volume of Pindar in his tunic. Lord Rosebery's book is written with a proud sadness, a stern indigna-