Page:Ulysses, 1922.djvu/273

270 Her ear too is a shell, the peeping lobe there. Been to the seaside. Lovely seaside girls. Skin tanned raw. Should have put on coldcream first make it brown. Buttered toast. O and that lotion mustn’t forget. Fever near her mouth. Your head it simply. Hair braided over: shell with seaweed. Why do they hide their ears with seaweed hair? And Turks their mouth, why? Her eyes over the sheet, a yashmak. Find the way in. A cave. No admittance except on business.

The sea they think they hear. Singing. A roar. The blood it is. Souse in the ear sometimes. Well, it’s a sea. CorpusculeCorpuscle [sic] islands.

Wonderful really. So distinct. Again. George Lidwell held its murmur, hearing: then laid it by, gently.

—What are the wild waves saying? he asked her, smiled.

Charming, seasmiling and unanswering Lydia on Lidwell smiled.

Tap.

By Larry O’Rourke’s, by Larry, bold Larry O’, BöylanBoylan [sic] swayed and Boylan turned.

From the forsaken shell Miss Mina glided to her tankard waiting. No, she was not so lonely archly Miss Douce’s head let Mr Lidwell know. Walks in the moonlight by the sea. No, not alone. With whom? She nobly answered: with a gentleman friend.

Bob Cowley’s twinkling fingers in the treble played again. The landlord has the prior. A little time. Long John. Big Ben. Lightly he played a light bright tinkling measure for tripping ladies, arch and smiling, and for their gallants, gentlemen friends. One: one, one, one: two, one, three, four.

Sea.Sea, [sic] wind, leaves, thunder, waters, cows lowing, the cattle market, cocks, hens don’t crow, snakes hissss. There’s music everywhere. Ruttledge’s door: ee creaking. No, that’s noise. Minuet of Don Giovanni he’s playing now. Court dresses of all descriptions in castle chambers dancing. Misery. Peasants outside. Green starving faces eating dockleaves. Nice that is. Look: look, look, look, look, look: you look at us.

That’s joyful I can feel. Never have written it. Why? My joy is other joy. But both are joys. Yes, joy it must be. Mere fact of music shows you are. Often thought she was in the dumps till she began to lilt. Then know.

M’Coy valise. My wife and your wife. Squealing cat. Like tearing silk. When she talks like the clapper of a bellows. They can’t manage men’s intervals. Gap in their voices too. Fill me. I’m warm, dark, open. Molly in quis est homo: Mercadante. My ear against the wall to hear. Want a woman who can deliver the goods.