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Dear Mr, Stanton: —

The agreement promised has not yet arrived; nor your photographer; but I have made a first selection for him, and I think you will find it sufficiently varied according to your suggestion. Thirty illustrations in colour and seventy in monochrome will give the cream of my collection, and be representative, although of course not exhaustive. I have 375 specimens, no two alike! Ten groups, with the dancing dogs for the half-title, six cottages, six single figures, and the rest animal pieces will all look well in the process you showed me. I propose the large so-called classical examples in monochrome; their undoubted coarseness will then be toned down in black or brown and none of their interest destroyed. Julia, Lady Tweeddale, has one piece of which I have never been able to secure a duplicate, and so has Mr. Montague Guest. Do you think it advisable to ask permission to photograph these for inclusion, or would it be better to use only my own collection, and keep to the personal note in the letterpress?

Our brief interview gave me the feeling that I may ask you for help in any difficulty or perplexity that occurs in the preparation of a work so new to me. You were very kind to me. I daresay I seemed to you nervous and uncertain of how I meant to proceed. I felt like a trembling amateur in that big office of yours. I have never interviewed a publisher before; my novels always went by post—and came back that way too, at first! I had a false conception of publishers, based on—but I must not