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 'Our annals tell us,' continued the Captain of Castle William, 'that the curse of the people followed this Randolph where he went, and wrought evil in all the subsequent events of his life, and that its effect was seen likewise in the manner of his death. They say, too, that the inward misery of that curse worked itself outward, and was visible on the wretched man's countenance, making it too horrible to be looked upon. If so, and if this picture truly represented his aspect, it was in mercy that the cloud of blackness has gathered over it.'

'These traditions are folly, to one who has proved, as I have, how little of historic truth lies at the bottom,' said the Lieutenant Governor. 'As regards the life and character of Edward Randolph, too implicit credence has been given to Dr. Cotton Mather, who—I must say it, though some of his blood runs in my veins—has filled our early history with old women's tales, as fanciful and extravagant as those of Greece or Rome.'

'And yet,' whispered Alice Vane, 'may not such fables have a moral? And, methinks, if the visage of this portrait be so dreadful, it is not without a cause that it has hung so long in a chamber of the Province House. When the rulers feel themselves irresponsible, it were well that they should be reminded of the awful weight of a people's curse.'

The Lieutenant Governor started, and gazed for a moment at his niece, as if her girlish fantasies had struck upon some feeling in his own breast, which all his policy or principles could not entirely subdue. He knew, indeed, that Alice, in spite of her foreign