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 spectators shuddered with irrepressible awe, as some object, hitherto concealed by the intervening figures, came full in sight. Many turned away their faces; others kept a fixed and rigid stare; and a young girl giggled hysterically, and fainted with the laughter on her lips. When the spectral procession approached the altar, each couple separated, and slowly diverged, till, in the centre, appeared a form, that had been worthily ushered in with all this gloomy pomp, the death-knell, and the funeral. It was the bridegroom in his shroud!

No garb but that of the grave could have befitted such a death-like aspect; the eyes, indeed, had the wild gleam of a sepulchral lamp; all else was fixed in the stern calmness which old men wear in the coffin. The corpse stood motionless, but addressed the widow in accents that seemed to melt into the clang of the bell, which fell heavily on the air while he spoke.

'Come, my bride!' said those pale lips, 'The hearse is ready. The sexton stands waiting for us at the door of the tomb. Let us be married; and then to our coffins!'

How shall the widow's horror be represented! It gave her the ghastliness of a dead man's bride. Her youthful friends stood apart, shuddering at the mourners, the shrouded bridegroom, and herself; the whole scene expressed, by the strongest imagery, the vain struggle of the gilded vanities of this world, when opposed to age, infirmity, sorrow, and death. The awestruck silence was first broken by the clergyman.