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 rectitude. 'Asking pardon of the painter, I pronounce him a fool, as well as a scandalous knave. A man of my standing in the world, to be robbing little children of their clothes! Ridiculous!'—But while he spoke, Memory had searched her fatal volume, and found a page, which, with her sad, calm voice, she poured into his ear. It was not altogether inapplicable to the misty scene. It told how Mr. Smith had been grievously tempted, by many devilish sophistries, on the ground of a legal quibble, to commence a lawsuit against three orphan children, joint heirs to a considerable estate. Fortunately, before he was quite decided, his claims had turned out nearly as devoid of law, as justice. As Memory ceased to read, Conscience again thrust aside her mantle, and would have struck her victim with the envenomed dagger, only that he struggled, and clasped his hands before his heart. Even then, however, he sustained an ugly gash.

Why should we follow Fancy through the whole series of those awful pictures? Painted by an artist of wondrous power, and terrible acquaintance with the secret soul, they embodied the ghosts of all the never-perpetrated sins, that had glided through the life-time of Mr. Smith. And could such beings of cloudy fantasy, so near akin to nothingness, give valid evidence against him, at the day of judgment? Be that the case or not, there is reason to believe, that one truly penitential tear would have washed away each