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 'Not quite,' said Elinor, smiling. 'Yet if he has such magic, there is something so gentle in his manner, that I am sure he will use it well.'

It was the painter's choice to proceed with both the portraits at the same time, assigning as a reason, in the mystical language which he sometimes used, that the faces threw light upon each other. Accordingly, he gave now a touch to Walter, and now to Elinor, and the features of one and the other began to start forth so vividly, that it appeared as if his triumphant art would actually disengage them from the canvas. Amid the rich light and deep shade, they beheld their phantom selves. But, though the likeness promised to be perfect, they were not quite satisfied with the expression; it seemed more vague than in most of the painter's works. He, however, was satisfied with the prospect of success, and being much interested in the lovers, employed his leisure moments, unknown to them, in making a crayon sketch of their two figures. During their sittings, he engaged them in conversation, and kindled up their faces with characteristic traits, which, though continually varying, it was his purpose to combine and fix. At length he announced, that at their next visit, both the portraits would be ready for delivery.

'If my pencil will but be true to my conception, in the few last touches which I meditate,' observed he, 'these two pictures will be my very best performances. Seldom, indeed, has an artist such subjects.'