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 artist and his works, and felt as if one of the pictures had stept from the canvas to salute them.

Walter Ludlow, who was slightly known to the painter, explained the object of their visit. While he spoke, a sunbeam was falling athwart his figure and Elinor's, with so happy an effect, that they also seemed living pictures of youth and beauty, gladdened by bright fortune. The artist was evidently struck.

'My easel is occupied for several ensuing days, and my stay in Boston must be brief,' said he, thoughtfully; then after an observant glance, he added: 'but your wishes shall be gratified, though I disappoint the chief Justice and Madame Oliver. I must not lose this opportunity, for the sake of painting a few ells of broadcloth and brocade.'

The painter expressed a desire to introduce both their portraits into one picture, and represent them engaged in some appropriate action. This plan would have delighted the lovers, but was necessarily rejected, because so large a space of canvas would have been unfit for the room which it was intended to decorate. Two half-length portraits were therefore fixed upon. After they had taken leave, Walter Ludlow asked Elinor, with a smile, whether she knew what an influence over their fates the painter was about to acquire.

'The old women of Boston affirm,' continued he, 'that after he has once got possession of a person's face and figure, he may paint him in any act or situation whatever—and the picture will be prophetic. Do you believe it?'