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 show Miss Lively and all the world that Sam Roberts was of no account.

Pete's affection, however, was greater than his discretion. Such violent exercise took the breath out of him directly, and he dropped like an empty bag. Then was the time for Harry Carey to try his hand; but Lively also soon out-winded him, amidst hurrahs and shouts, fully sustaining her well-earned reputation of being the "fastest gal" on the bayou.

One "set" off, another takes its place, he or she remaining longest on the floor receiving the most uproarious commendation, and so the dancing continues until broad daylight. It does not cease with the sound of the fiddle, but in that case they set up a music peculiar to themselves. This is called "patting," accompanied with one of those unmeaning songs, composed rather for its adaptation to a certain tune or measure, than for the purpose of expressing any distinct idea. The patting is performed by striking the hands on the knees, then striking the hands together, then striking the right shoulder with one hand, the left with the other—all the while keeping time with the feet, and singing, perhaps, this song: