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 people.” Or, as the Chinese government might say, “[w]e’re not going to show your movie because you decided to get political.”

These are just two examples of the many Hollywood films that have been altered, one way or another, to please the CCP. National Security Advisor O’Brien offered even more examples in his remarks. But many more scripts never see the light of day, because writers and producers know not to even test the limits. Chinese government censors don’t need to say a word, because Hollywood is doing their work for them. This is a massive propaganda coup for the Chinese Communist Party.

The story of the film industry’s submission to the CCP is a familiar one. In the past two decades, China has emerged as the world’s largest box office. The CCP has long tightly controlled access to that lucrative market—both through quotas on American films, imposed in violation of China’s WTO obligations, and a strict censorship regime. Increasingly, Hollywood also relies on Chinese money for financing. In 2018, films with Chinese investors accounted for 20 percent of U.S. box-office ticket sales, compared to only three percent five years earlier.

But in the long run, as with other American industries, the PRC may be less interested in cooperating with Hollywood than in co-opting Hollywood—and eventually replacing it with its own homegrown productions. To accomplish this, the CCP has been following its usual modus operandi. By imposing a quota on American films, the CCP pressures Hollywood studios to form joint ventures with Chinese companies, who then gain U.S. technology and know-how. As one Chinese film executive recently put it, “[e]verything we learned, we learned from Hollywood.” Notably, in 2019, eight of the 10 top-grossing films in China were produced in China.

Hollywood is far from alone in kowtowing to the PRC. America’s big tech companies have also allowed themselves to become pawns of Chinese influence. In the year 2000, when the United States normalized trade relations with China, President Clinton hailed the new century as one in which “liberty will be spread by cell phone and cable modem.”