Page:Treatise of Human Nature (1888).djvu/141

121 judgment gives no assent to those images which are presented to our fancy. The conversation of those, who have acquir'd a habit of lying, tho' in affairs of no moment, never gives any satisfaction; and that because those ideas they present to us, not being attended with belief, make no impression upon the mind. Poets themselves, tho' liars by profession, always endeavour to give an air of truth to their fictions; and where that is totally neglected, their performances, however ingenious, will never be able to afford much pleasure. In short, we may observe, that even when ideas have no manner of influence on the will and passions, truth and reality are still requisite, in order to make them entertaining to the imagination.

But if we compare together all the phænomena that occur on this head, we shall find, that truth, however necessary it may seem in all works of genius, has no other effect than to procure an easy reception for the ideas, and to make the mind acquiesce in them with satisfaction, or at least without reluctance. But as this is an effect, which may easily be supposed to flow from that solidity and force, which, according to my system, attend those ideas that are establish'd by reasonings from causation; it follows, that all the influence of belief upon the fancy may be explained from that system. Accordingly we may observe, that wherever that influence arises from any other principles beside truth or reality, they supply its place, and give an equal entertainment to the imagination. Poets have form'd what they call a poetical system of things, which tho' it be believ'd neither by themselves nor readers, is commonly esteem'd a sufficient foundation for any fiction. We have been so much accustom'd to the names of, that in the same manner as education infixes any opinion, the constant repetition of these ideas makes them enter into the mind ithwith [sic] facility, and prevail upon the fancy, without influencing the judgment. In like manner tragedians always borrow their fable, or at least the names of their principal actors, from some