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 "I have known no man in whom the pre-eminently manly virtues of kindness, courage, sympathy, generosity, helpfulness, were more beautifully conspicuous than in Mr. Stevenson, none so much loved—it is not too strong a word—by so many and so various people. He was as unique in character as in literary genius."—Recollections of Stevenson, by Andrew Lang, North American Review, February, 1895.

"It was the happy fortune of Robert Louis Stevenson to have created, beyond any man of his craft in our day, a body of readers inspired with the feelings that we, for the most part, place at the disposal of those for whom our affection is personal. There was no one who knew the man, one may safely assert, who was not also devoted to the writer; conforming in this respect to a general law—if law it be—that shows us many exceptions: but, naturally and not inconveniently, it had to remain far from true that all devotees of the writer were able to approach the man. The case was, nevertheless, that the man, somehow, approached them, and that to read him—certainly to read him with the full sense of his charm—came, for many people, to mean much the same as to 'meet' him. It was as if he wrote himself altogether, rose straight to the surface of his prose, and still more of his happiest verse; so that these things gave out, besides whatever else, his look and his voice, showed his life and manners, his affairs and his very secrets. In short, we grew to possess him entire; and the example is the more curious and beautiful, as he neither made a business of 'confession' nor cultivated most those forms through which the ego shines. … The finest papers in Across the Plains, in Memories and Portraits and in Virginibus Puerisque, stout of substance and supremely silver of speech, have both a nobleness and a nearness that place them, for perfection and roundness, above his fictions, and that also may remind a vulgarized generation of what, even under its nose, English prose can be. But it is bound up with his name, for our wonder and reflection, that he is something other than the author of this or that particular beautiful thing, or of all such things together. It has been his fortune (whether or no