Page:Travels in West Africa, Congo Français, Corisco and Cameroons (IA travelsinwestafr00kingrich).pdf/215

 amusing; I have elsewhere mentioned pretty much the same state of things among the Ga's and Krumen and Bubi, and in all cases the tunes are only voice tunes, not for instrumental performance. The instrumental music consists of that marvellously developed series of drum tunes—the attempt to understand which has taken up much of my time, and led me into queer company—and the many tunes played on the 'mrimba and the orchid-root-stringed harp: they are, I believe, entirely distinct from the song tunes. And these peaceful tunes my men were now singing were, in their florid elaboration very different from the one they fought the rapids to, of—So Sir—So Sur—So Sir—So Sur—Ush! So Sir, &c.

On we go singing elaborately, thinking no evil of nature, when a current, a quiet devil of a thing, comes round from behind a point of the bank and catches the nose of our canoe; wringing it well, it sends us scuttling right across the river in spite of our ferocious swoops at the water, upsetting us among a lot of rocks with the water boiling over them; this lot of