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Rh The young man understood no English, but he apparently guessed at the question. "My name is Pierre Briseux; let that" (pointing to his work) "denote my profession. If you're affronted, monsieur, don't visit your displeasure on mademoiselle; I alone am responsible. You had got into a tight place; I wished to help you out of it; sympathie de confrère! I've done you no injury. I've made you a present of half a masterpiece. If I could only trust you not to spoil it!"

Harold's face betrayed his invincible disgust, and I saw that my offence was mortal. He had been wounded in his tenderest part, and his self-control was rapidly ebbing. His lips trembled, but he was too angry even to speak. Suddenly he seized a heavy brush which stood in a pot of dusky varnish, and I thought for a moment he was going to fling it at Briseux. He balanced it an instant, and then tossed it full in the face of the picture. I raised my hands to my face as if I felt the blow. Briseux, at least, felt it sorely.

"Malheureux!" he cried. "Are you blind as well? Don't you know a good thing when you see it? That's what I call a waste of material. Allons, you're very angry; let me explain. In meddling with your picture I certainly took a great liberty. My misery is my excuse. You have money, materials, models—everything but talent. No, no, you're no painter; it's impossible! There isn't an intelligent line on your canvas. I, on the other hand, am a born painter. I've talent and nothing more. I came here to see M. Martinet; learning he was absent, I staid for very envy! I looked at your work, and found it a botch; at your empty stool and idle palette, and found them an immense temptation; at mademoiselle, and found her a perfect model. I persuaded, frightened, convinced her, and out of charity she gave me a five minutes' sitting. Once the brush in my hand, I felt the divine afflatus; I hoped for a miracle—that you'd never come back, that you'd be run over in the street, or have an attack of apoplexy. If you had only let me go on, I should have served you up a great work, monsieur—a work to which, in spite of your natural