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72 standing before the inscrutable "Joconde" of Leonardo, a picture disagreeable to most women. I had been expressing my great aversion to the lady's countenance, which Harold on this occasion seemed to share. I was surprised therefore, when, after a pause, he said quietly, "I believe I'll copy her."

I hardly knew why I should have smiled, but I did, apparently to his annoyance. "She must be very difficult," I said. "Try something easier."

"I want something difficult," he answered sternly.

"Truly?" I said. "You mean what you say?"

"Why not?"

"Why then copy a portrait when you can copy an original?"

"What original?"

"Your betrothed! Paint my portrait. I promise to be difficult enough. Indeed, I'm surprised you should never have proposed it." In fact the idea had just occurred to me; but I embraced it with a sort of relief. It seemed to me that it would somehow test my lover, and that if he succeeded, I might believe in him irremissibly. He stared a moment as if he had hardly understood me, and I completed my thought. "Paint my portrait, and the day you finish it I'll fix our wedding day."

The proposal was after all not very terrible, and before long he seemed to relish it. The next day he told me that he had composed his figure mentally, and that we might begin immediately. Circumstances favored us, for he had for the time undisturbed all of M. Martinet's studio. This gentleman had gone into the country to paint a portrait, and Harold just then was his only pupil. Our first sitting took place without delay. At his request I brought with me a number of draperies, among which was the yellow shawl you have just been admiring. We wore such things then, just as we played on the harp and read "Corinne." I tried on my scarfs and veils, one after the other, but Harold was satisfied with none. The yellow shawl, in especial, he pronounced a meretricious ornament, and decided that I should be represented in a plain dark dress, with as few