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Rh the original, I returned to the great picture. As I drew near it the young lady turned away. Her eyes then for the first time met my own. They were deep and dark and luminous,—I fancied streaming with tears. I watched her as she returned to the table. Her walk seemed to me peculiarly graceful; light, and rapid, and yet full of decision and dignity. A thrill of delight passed through my heart as I guessed at her moistened lids.

"Sweet fellow-countrywoman," I cried in silence, "you have the divine giift of feeling." And I returned to the fresco with a deepened sense of its virtue. When I turned around, my companions had left the room.

In spite of the great heat, I was prepared thoroughly to "do" Milan. In fact, I rather enjoyed the heat; it seemed to my Northern senses to deepen the Italian, the Southern, the local character of things. On that blazing afternoon, I have not forgotten, I went to the church of St. Ambrose, to the Ambrosian Library, to a dozen minor churches. Every step distilled a richer drop into the wholesome cup of pleasure. From my earliest manhood, beneath a German sky, I had dreamed of this Italian pilgrimage, and, after much waiting and working and planning, I had at last undertaken it in a spirit of fervent devotion. There had been moments in Germany when I fancied myself a clever man; but it now seemed to me that for the first time I really felt my intellect. Imagination, panting and exhausted, withdrew from the game; and Observation stepped into her place, trembling and glowing with open-eyed desire.

I had already been twice to the Cathedral, and had wandered through the clustering inner darkness of the high arcades which support those light-defying pinnacles and spires. Towards the close of the afternoon I found myself strolling once more over the great column-planted, altar-studded pavement, with the view of ascending to the roof. On presenting myself at the little door in the right transept, through which you gain admission to the upper regions, I perceived my late fellow-visitors of the fresco preparing apparently for an upward movement, but not without some reluctance on the paternal side. The poor gentleman had