Page:Tirant lo Blanch; a study of its authorship, principal sources and historical setting (IA cu31924026512263).pdf/95

 d'Cauayleria. In the story, of which the material from these two sources forms the foundation, Guy of Warwick is represented as Guillem de Varoych, and for this reason we shall name this composite reproduction, the William of Warwick episode. Tirant lo Blanch begins with this episode, which occupies a little more than one-eighth part of the complete work. But this is not the only part in which the influence of Guy of Warwick is revealed. We know that Martorell, when he planned his book of chivalry, was acquainted with the story of Guy of Warwick, and in the course of the composition certain features of the latter occurred to him and were incorporated in his work. But these are not very numerous, and they are so sparsely scattered that the pronounced Catalan atmosphere in which they appear absorbs whatever distinguishing characteristics they may have had originally. Our investigations, the details of which will follow, lead us to the conclusion that if Tirant lo Blanch had an English original, this must have been written by a Catalan,—which, to say the least, is improbable. Scholars who have given some attention to this question entertain serious doubts concerning the representations that the work is translated from the English. Menéndez y Pelayo regards the question as very problematic. Givanel Mas, in his excellent study on Tirant lo Blanch, intimates that it is doubtful that there has existed an English original. Still he would consider it bold to deny that the