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 He had spread out his papers on the dining table, where he could write without seeing Joyce's door. But he couldn't seem to resume the flow of that slick treacly style, which the experienced brochurist can smoothly decant, like a tilted molasses barrel. The discomforting irony of the last word penetrated him. He changed "Italian richness" to "Italian passion," but that was as far as inspiration carried him. It was vain to remind himself that Walter Scott had written novels all night long, that Napoleon had planned campaigns in the agony of stomach-ache, that Elbert Hubbard was never at a loss for a Little Journey. In a nervous fidget he pared his nails, sharpened pencils, rearranged the glasses on the sideboard, emptied Ben's cigar débris from the living-room ash tray. He trod stealthily, in stocking feet, for fear of disturbing Joyce. Without his usual couch to sleep on, his usual table to work at, he felt homeless. There was a dull pain at the bottom of his ribs. He tried to remember whether he had unduly bolted his food at dinner. Perhaps he was going to have appendicitis.

He had a sort of insane desire to justify his existence, to atone for a day of such incredible futility by getting some work done. If every possible extraneous trifle could be attended to perhaps his