Page:Three men in a boat (to say nothing of the dog) (IA threemeninboatto00jerorich).pdf/153

 I still went on pulling, however, and still no lock came in sight, and the river grew more and more gloomy and mysterious under the gathering shadows of night, and things seemed to be getting weird and uncanny. I thought of hobgoblins and banshees, and will-o'-the-wisps, and those wicked girls who sit up all night on rocks, and lure people into whirl-pools and things; and I wished I had been a better man, and knew more hymns; and in the middle of these reflections I heard the blessed strains of "He's got 'em on," played, badly, on a concertina, and knew that we were saved.

I do not admire the tones of a concertina, as a rule; but, oh! how beautiful the music seemed to us both then—far, far more beautiful than the voice of Orpheus or the lute of Apollo, or anything of that sort could have sounded. Heavenly melody, in our then state of mind, would only have still further harrowed us. A soul-moving harmony, correctly performed, we should have taken as a spirit-warning, and have given up all hope. But about the strains of "He's got 'em on," jerked spasmodically, and with involuntary variations, out of a wheezy accordion, there was something singularly human and reassuring.

The sweet sounds drew nearer, and soon the boat from which they were worked lay alongside us.