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Croce says, indeed, that the artist has every stroke of the brush in his mind as complete before he executes it as after. The suggestion is that using the brush adds nothing to his inward or mental work of art. I think that this is false idealism. The bodily thing adds immensely to the mere idea and fancy, in wealth of qualities and connections. If we try to cut out the bodily side of our world, we shall find that we have reduced the mental side to a mere nothing.

And so, when we said that you can carry away the soul of a thing and leave its body behind, we always added that you must in doing so confer its soul upon a new and spiritualised body. Your imagination must be an imagination of something, and if you refuse to give that something a definite structure, you pass from the aesthetic semblance to the region of abstract thought. I have spoken of sound as physical; if this is a difficulty it is enough to call it sensuous, and sensuous in immediate connection with other physical