Page:Three Lectures on Aesthetic (1915).djvu/87

72 a phrase so commonplace in itself as “Rule, Britannia!” the actual vibrations of the sound, the bodily experience I am aware of in saying it, is alive with the history of England which passed into the words in the usage and formation of the language. Up to a certain point, language is poetry ready-made for us.

And I suppose that a great painter, in his actual handling of his brush, has present with him a sense of meaning and fitness which is one with the joy of execution, both of which the experience of a lifetime has engrained in the co-operation of his hand and eye. I take it, there is a pleasure in the brush stroke, which is also a sense of success in the use of the medium, and of meaning in hitting the exact effect which he wants to get. We common people have something analogous to all this, when we enjoy the too-rare sensation of having found the right word. In such “finding” there is a creative element. A word is, quite strictly speaking, not used twice in the same sense.