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274 "these are traced in lacquer and covered with gold dust, and when dry the final polish is given with the finger and powdered deer's horn.'"

Such is the most usual process, which is suitably modified in the case of raised gold lacquer and other varieties. It should be added that much of the so-called gold or silver lacquer is really manufactured with the aid of bronze and tin, especially at the present time, when cheapness and quantity are insisted on by a foreign public whose taste is imperfectly educated. Nevertheless, specimens worthy of the best age still continue to be produced. Competent critics assert that Shibata Zeshin, who died as lately as 1891, was probably as great as any lacquer artist that ever existed, and that others no less skilled are still living to-day.—The lacquer poison, of which so much has been said by travellers, is never fatal, though it is extremely painful in some cases. Blood to the head, swelling, violent itching and burning, occasionally small festering boils, are the symptoms. Lacquer in any stage, except when perfectly dry, is capable of producing it. The lacquer tappers always use gloves as a protection.

Only one item more. If you possess any specimens of good lacquer, be careful to dust them with a fine old silk cloth. A common duster will scratch them. Some of the best collections in Europe have been ruined by rough treatment.

 Language. Excepting the twin sister tongue spoken in the Luchu Islands, the Japanese language owns no kindred, and its classification under any of the recognised linguistic families remains doubtful. In structure, though not to any appreciable extent in vocabulary, it closely resembles Korean; and both it and Korean may possibly be related to Mongol and to Manchu, and might therefore lay claim to be included in the so-called "Altaïc" group. In any case, Japanese is what philologists term an agglutinative tongue, that is to say, it builds up its words and