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 by electric light, and many establishments had made, as it were, canals of public footpaths through their premises in order to increase their window space. Barnet made his way along this night-scene rather apprehensively since the police had power to challenge and demand the Labour Card of any indigent-looking person, and if the record failed to show he was in employment, dismiss him to the traffic pavement below.

But there was still enough of his former gentility about Barnet's appearance and bearing to protect him from this; the police, too, had other things to think of that night, and he was permitted to reach the galleries about Leicester Square—that great focus of London life and pleasure.

He gives a vivid description of the scene that evening. In the centre was a garden raised on arches lit by festoons of lights and connected with the Rows by eight graceful bridges, beneath which hummed the interlacing streams of motor traffic, pulsating as the current alternated between east and west and north and south. Above rose great frontages of intricate rather than beautiful reinforced porcelain, studded with lights, barred by bold illuminated advertisements, and glowing with reflections. There were the two historical music halls of this place, the Shakespeare Memorial Theatre, in which the municipal players revolved