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 Karenin remained downcast and thoughtful while Kahn said these things. Against that continued silence Kahn's voice presently seemed to beat and fail. He had begun by addressing Karenin, but presently he was including Edith Haydon and Rachel Borken in his appeal. Rachel listened silently; Edith watched Karenin and very deliberately avoided Kahn's eyes.

"I know," said Karenin at last, "that many people are saying this sort of thing. I know that there is a vast release of love-making in the world. This great wave of decoration and elaboration that has gone about the world, this Efflorescence, has of course laid hold of that. I know that when you say that the world is set free, you interpret that to mean that the world is set free for love-making. Down there,—under the clouds, the lovers foregather. I know your songs, Kahn, your half-mystical songs, in which you represent this old hard world dissolving into a luminous haze of love—sexual love I don't think you are right or true in that. You are a young, imaginative man, and you see life—ardently—with the eyes of youth. But the power that has brought man into these high places under this blue-veiled blackness of the sky and which beckons us on towards the immense and awful future