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 death, but added nothing except that this stone was set up by one who had known and loved her. Knowing how fond she had been of music I had been half inclined at one time to inscribe a few bars of music, if I could find any which seemed suitable to her character, but I knew how much she would have disliked anything singular in connection with her tombstone and did not do it.

Before, however, I had come to this conclusion, I had thought that Ernest might be able to help me to the right thing, and had written to him upon the subject. The following is the answer I received—

,—I send you the best bit I can think of; it is the subject of the last of Handel's six grand fugues and goes thus:—

It would do better for a man, especially for an old man who was very sorry for things, than for a woman, but I cannot think of anything better; if you do not like it for Aunt Alethea I shall keep it for myself.—Your affectionate Godson,

Was this the little lad who could get sweeties for two-pence but not for two-pence-halfpenny? Dear, dear me, I thought to myself, how these babes and sucklings do give us the go-by surely. Choosing his own epitaph at fifteen as for a man who "had been very sorry for things," and such a strain as that—why it might have done for Leonardo da Vinci himself. Then I set the boy down as a conceited young jackanapes, which no doubt he was,—but so are a great many other young people of Ernest's age.