Page:The way of Martha and the way of Mary (1915).djvu/31

Rh Russia during the year? What are people talking about? What are they doing? What is in the air?"

"Oh," said he, "the Futurists are walking about with gilded noses and dyed faces. The Jew-haters of the Black Hundred want to raise a temple in memory of the Christian boy Yushinsky. Every one has been discussing a play of Artsibashef called Jealousy. Literary Russia has been giving a welcome to the Belgian poet Verhaeren, such as you in England have been giving Anatole France. Every one is either hearing or giving lectures about Verhaeren. But I suppose most clamour of all has been raised about Gorky and Dostoieffsky and the Theatre of Art at Moscow. They propose to perform Dostoieffsky's Demons at the Theatre of Art, and Gorky has raised a great protest. He holds that Dostoieffsky is so reactionary in tendency that he ought not to be played at the great democratic theatre. Not only that, but he holds that Tolstoy, and indeed all Russian literature, is on the wrong side in the struggle for the liberation of the people. He is almost ready to say, 'Burn the works of Tolstoy and Dostoieffsky; burn them, and let us be free!'"

"How does Russia take it?" I asked. "It is indeed true that Dostoieffsky's work is not on the side of progress and freedom. He believed in suffering; he believed in the Russian Church, and was a Christian."

"Russia is mostly against Gorky," said the